Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of James Ensor 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
37467		After the Storm	mk126 1880
37558		Anger	mk126 1903 A Man and a woman are fighting-They have already wounded each other with their weapons.
37529		At the Conservatory	mk126 1902 As he later wrote to his friend the poet and art critic pol de Mont,frome the very start of His career.
37560		Avarice	mk126 1903 As a thin old man sis at the table counting his money,two thieves take him by surprise.
37456		Calvary	mk126 1885-88
37457		Calvary	mk126 1880-86
37473		Carnival at Ostend	mk126 1933
37513		Carnival in Flanders	mk126 1925-29
37499		Children Dressing	mk126 1886 In Ensor-s Oeuvre Children Dressing can be considered a water-shed work between the bourgeois living room and the Lyrical sub-jects to come.
37497		Chinoiseries	mk126 1907
37437		Christ among the Doctors	mk126
37449		Christ and Angels	mk126
37426		Christ and the Afflicted	mk126 1938
37429		Christ and the Lame	mk126 1880/1885-86
37469		Christ Calming the Storm	mk126 1891
37470		Christ Calming the Storm	mk126
37445		Christ Crucified with Two Thieves	mk126
37440		Christ Exorcizing the Evil Spirit	mk126
37427		Christ in Agony	mk126 1888
37428		Christ in Agony	mk126 1931
56325		christ s triumphant entry into brussels in 1889	mk247 1888,oil on canvas,99.5x169.5 in,252x431 cm,j.paul getty museum,los angeles,ca,usa
37458		Christ Tormented by Demons	mk126 1895
37471		Christ Walking on Water	mk126 1885
94230		Christ's Entry into Brussels	1889. Painting cjr
95128		Christs Entry Into Brussels in 1889	1888 Type Oil on canvas Dimensions 253 cm x 431 cm cyf
37507		Death and the Masks	mk126 1897 Under a livid sky in Which two Flying skeletons armed with scythes
37482		Death Pursuing the Human Flock	mk126 1896
37539		Decor	mk126 1929
37574		Demons Tormenting me	mk126 1895 This hand-Colored etching is based on an 1888 drawing,a self-Portrait of Ensor surrounded by grotesque monsters who tug,prod,and beseech him.
37477		Demons Trashing Angels and Archangels	mk126 1888
37555		Devils Tormenting a Monk	mk126 1940
37571		Do nothing and Let Them Laugh	mk126 1939 The Abundant Charm of this small,late work comes from its dynamism and vivid coloration.
37537		Doctrinaire Nourishment	mk126 1889 Ensor exhibited
37567		Drunken Men Playing Billiards	mk126 1903
37561		Envy	mk126 1903 A pretty young mother presents her progeny.like Mary with the Christ child.she is surrounded by a luminous halo,and she radiates clam and contentment.
37472		Fireworks	mk126 1887
23152		Firworks (nn02)	1887 Oil and encaustic on canvas,40 1/4 x 44 1/4'' Albright-Knox Art Gallery Buffalo New York George B and Jenny R Mathews Fund 1970
67521		flicka med docka	1884 se
37432		Flight into Egypt	mk126
37547		Flowered Figures	mk126 1936
37562		Gluttony	mk126 1903 Two Men sit at a table and throw up the meal they have just eaten,while death is already bringing them the next course.
37495		Harmony in Blue	mk126 1917
37517		Interior with Three Portraits	mk126 1938
67822		intrigen	1890 se
37498		James Ensor in his studio	mk126 1948
37412		James Ensor in his studio,Painting the entry of Christ into Brussels	mk126 1888-89
37483		King Pest	mk126 1895
37538		La Gamme d-amour	mk126 1921
37468		Large Seascape-Sunset	mk126 1885
37439		Let the Little Children Come to Me	mk126
37564		Louis Xiv Playing Billiards	mk126 1903
37565		Louis XIV Playing Billiards	mk126 1903
37557		Lust	mk126 1888 Lust is the first sheet of the series that Ensor produced.
37505		Masks Confronting Death Or Masks Mocking Death	mk126 1888 The skeleton and it-s pendant the mask haunt Ensor-sbest-known pictures.
37503		Masks Watching a Negro Minstrel	mk126 ca.1878-79 This is an early work,which dates from Ensor-s Brussels period.it could easily be an academic teaching piece on the paintng of live Models.
37425		Me,My Color and My Attributes	mk126 1939
37462		Mirror with Skeleton or The Devil-s Mirror	mk126 1890
37535		Mr.and Mrs.Rousseau Speaking with Sophie Yoteko	mk126 1892 This small painting is a truly puzzing work.
37524		My Dead Aunt	mk126 1916 One year after the death of Ensor-s Mother came that of her sister.
37523		My Dead mother	mk126 1915 Ensor was already fifty-five years old in 1915 when his mother did.
37463		My Portrait Skeletonnized	mk126 1889
37464		My Portrait Skeletonnized	mk126 1889
37424		My Portrait with Masks	mk126 1936
37566		Napoleon Playing Billiards	mk126 1903
37406		Nude at a Balustrade or Nude with Vase and Column	mk126 1880-85/1886-88
37405		Nude with Curtain	mk126 1886-88
37553		Nymphs,Dancers,Demons	mk126 ca.1908 Drawn with colored pencils on an overprinted gray-black ground.
37504		Old Woman with Masks	mk126 1889 As he had already with Masks watching a negro minstrel.Ensor added the masked figures to this painting at a later time.
37509		Pierrot and Skeleton	mk126 1905 By the light of a paraffin lamp,Pierrot seems to be under attack by two skeletons.
37448		Pieta	mk126
37528		Plague Above,Plague below,Plague all around	mk126 1904 This print,like the earlier 1888 drawing that it copied in reverse,is base on a photograph of a trip Ensor took with family and friends to Bruges.
37519		Point of the Compass	mk126 West 1932
37520		Point of the Compass	mk126 North 1932
37521		Point of the Compass	mk126 South 1932
37522		Point of the Compass	mk126 East 1932
34049		Portrait of the Artist Sur rounded by Masks	mk87 1809 Oil on canvas 120x80cm Antwerp
21626		Portrait of the Artist Sur-Rounded by Masks (mk09)	1899 Oil on canvas 120 x 80 cm Antwerp,Collection Jussiant
37576		Poster for the Carnival at Ostend	mk126 1931
37575		Poster for the Salon des Cent	mk126 1898 Ensor obviously liked the idea of the artist resisting teasing demons,for he used this same image,this time in a vertical format.
37577		Poster for the Theatre Royal d-Ostende	mk126 1932
37559		Pride	mk126 1903 Old People,ugly and poor people,a priest,even a donkey and death bow before a distinguished-looking man.
37493		Red Cabbage and Masks	mk126 1925-30
37492		Red Cabbages and Onion	mk126 1913
34920		Russian Music	mk98 1881 Oil on canvas 133x110
37490		Seashells	mk126 1933
37491		Seashells	mk126 1889
30066		Self-Portrait	mk67 Oil on canvas 16 1/2x13 3/8in Uffizi
37421		Self-Portrait at the Easel	mk126 1879
37423		Self-Portrait by Lamplight or In the Shadow	mk126 1886
37422		Self-Portrait with Flowered Hat	mk126 1883/1888
27083		Self-Portrait with Masks	mk52 1899 Oil on canvas 117x80cm Menard Art Museum,Komaki,Japan
37419		Self-Portrait,Called The Big Head	mk126 1879
37420		Self-Portrait,Called The Little Head	mk126 1879
37514		Singing Masks	mk126 1925-29
37502		Skeleton i the studio	mk1260 1900 Here,as in skeletons trying to warm themselves of 1889,we are in the artist-studio.this time,however,the space is not bare,but full of masks,curios,books,palettes,utensils,folders full of painting,and even a coffee grinder sitting on a perfectly ordinary chair.
37500		Skeleton Looking at Chinoiseries	mk126 1885/Ca,1890 The Picture shows a skeleton in an armchair leafing through an album of japanese prints.
37501		Skeleton Looking at Chinoiseries	mk126 ca.1910 The Picture shows a skeleton in an armchair leafing through an album of japanese prints.
37461		Skeleton Musicians	mk126 1888
1138		Skeletons Fighting for the Body of a Hanged Man	1891
21625		Skeletons Fighting for the Body of a Hanged Man (mk09)	1891 Oil on canvas,59 x 74 cm Antwerp,Koninklijk Museum voor Schone Kunsten

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James Ensor

Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

All the Edouard Vuillard's Oil Paintings

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